About

हाकारा । hākārā
(नाम/noun)
//: (m) हाक, बोलावणे;

a call, a general or a great and continued calling

‘हाकारा’ या मराठी आणि इंग्रजीतून प्रकाशित होणा-या ऑनलाईन नियतकालिकाच्या अवकाश-निर्मितीमागे भवताल, आपण आणि आपली निर्मिती यामधील गुंतागुंतीचं नातं समजून घेण्याची भूमिका आहे. जगणं, भाव-भावना, सौंदर्य आणि संस्कृतीविषयक विचार आपल्या कला-दृष्टी आणि निर्मितीवर, लिहिण्यावर आणि वाचण्यावर कसे आणि कोणते प्रभाव पाडत असतात? मानवी बदल कलाविषयक देवाण-घेवाणी आणि सौंदर्य- जाणिवांशी कसे जोडून घेत असतात? सतत बदलत्या आणि प्रवाही असणाऱ्या कला-जाणिवा आपला भवताल कसा घडवत असतात? या आणि इतर मुद्द्यांचं आकलन लिखित आणि दृश्य माध्यमातून ‘हाकारा’च्या पारावरुन संवादी रीतीनं मांडण्याचा प्रयत्न आहे. काळ, संस्कृती आणि कला यांच्यातील देव-घेव नेहमीच बहुपदरी आणि बहुपेडी राहिलेली आहे. अभिव्यक्ती सद्यकालात घडत जात असते तर उद्याकडे पाहात आताचा काळ गतकाळाशी आपली नाळ जोडून असतो. कलाकृतीमध्ये तीनही काळ एकमेकांत अशा अनोख्या रितीने गुंतलेले असतात की त्यांच्यातील सीमारेषा धुसर होतात. त्रि-काळाच्या सत्य आणि आभासी खेळातून कला अभिव्यक्ती, सौंदर्यभान आणि तिचे बदलते निकष यातून समकालीन अभिव्यक्ती साकारत असते. अभिव्यक्तीने निरनिराळे घाट, शैली आणि रचना अंगिकारणं तसंच अशा अभिव्यक्तीचं सखोल आकलन करुन घेणं ही निरंतर चालणारी प्रक्रिया आहे. अशा तऱ्हेनं आकाराला येणारी नाविन्यपूर्ण निर्मिती आणि चिकित्सक प्रक्रिया ‘हाकारा’चा गाभा असेल.

‘हाकारा’च्या पारावरून बोलावण्यामागं लिखित आणि दृश्य कला माध्यमात ऐरणीवर असलेल्या मुद्द्यांविषयी सखोल चिंतन आणि समग्र चर्चा घडवून आणणं हा उद्देश आहे. आशय, घाट आणि रचनेचे ‘संहिता’ अंतर्गत आणि ‘संहिता’ बाह्य भवतालाशी असलेल्या आंतरिक संबधांचं विश्लेषण इथं केलं जाईल. कला-माध्यमांचं आंतर-संवादी स्वरुप निरखणं जसं महत्वाचं ठरतं तसंच त्यांची इतिहास, तत्त्वज्ञानाबरोबरच विज्ञान आणि तंत्रज्ञानासारख्या ‘इतर’ विद्याशाखांशी घातली जाणारी सांगड मोलाची ठरेल.

‘हाकारा’चा पार वैविध्यपूर्ण शैलीतले लिखाण आणि मांडणी, समीक्षा, कविता, गाणी, कथात्म-साहित्य, वाद-विवाद, मुलाखती, दृक-श्राव्य आणि दृश्य रूपांची गुंफण अशा विविधांगी आविष्कारांतून आपल्याशी मुक्त आणि थेटपणे संवाद साधेल असा आम्हाला विश्वास वाटतो.

Our contemporary lives and actions have been radically influencing expressions of writing, image-making and publicizing. Conversely, the production, consumption and circulation of expressions have influenced the aesthetics, politics and networking today. With hākārā, our aim is to explore and practice newer ways of producing and appreciating creative expressions while encouraging dialogue between different fields of expressions. Considering a rich and diverse body of creative work, we’ll focus on creative and critical writing in Marathi and English across literary and visual forms of expressions.

In keeping with this focus, hākārā will be published online in freely accessible and interactive format by focusing on the area that may help us address the diversities and the synergies implicit in literary and visual cultures. The hākārā editors would be interested in the sharing of research, speculations, literary and visual work presented innovative ways that responds to current debates while being attentive to the nuanced understanding and interconnectedness of content, form and society. We particularly encourage innovative nature of literary and visual images, critical artistic practices and developments that inform the contemporariness of the medium (and its pasts and futures), as well as the formal qualities of words and images in changing contexts.


Editors:

Ashutosh Potdar has one-act and full-length plays, poems, short fiction and scholarly essays in Marathi and English to his credit. Two collections of his four plays are published by Watermark Publication recently. Also, he has been working on a new play that he had started writing during the Residency in Bangalore organised by MaxMuller Bhavan and Ranga Shankara. He was invited to participate in the Residency facilitated by two acclaimed playwrights, Lutz M Hübner and Michael Wood from Germany and UK respectively. His plays are being performed through national and international festivals like Bharat Ranga Mahotsav, NSD, New Delhi, Prithvi Theatre, International Theatre Festival of Kerala, and different other venues in India. He is recipient of Maharashtra Foundation Award, Aswaghosh Award given by Bodhi Natya Parishad and Best Play-writing award given by Natya Parishad. His research interests include Narrative Theory, Colonial Literature and Theatre Studies. He has published his research work on drama and fiction in English and Marathi in various journals and presented papers in national and international conferences. Currently, he has been pursuing a collaborative project on archival research project supported by Asia Art Archive. After holding teaching positions for twelve years at under-graduate and post-graduate levels, Ashutosh has worked with India Foundation for the Arts, Bangalore. Currently, Ashutosh has been working as Associate Professor of Literature and Drama at FLAME University, Pune, (India).

Noopur Desai is an art critic and researcher writing in Marathi and English. Currently, She is a PhD scholar at the School of Media and Cultural Studies, Tata Institute of Social Sciences, Mumbai. In the past she has worked as a researcher with Jackfruit Research and Design, Bangalore, Asia Art Archive, Hong Kong and Devi Art Foundation, Delhi; and in research and programming at Vadehra Art Gallery, New Delhi, and Mohile Parikh Centre, Mumbai. Noopur is the recipient of FICA Ila Dalmia research grant 2015 for her project ‘Formulating Dialogical Art: An Archival Project of Public Art Interventions’. She is also associated with the Centre for Arts and Social Practice (CASP).


Contributors:

Outside, Inside, In-between

Adip Dutta is a sculptor based in Kolkata and also an assistant professor at the Department of Sculpture, Faculty of Visual Arts, Rabindra Bharati University, Kolkata.

Animesh Mahata is a visual artist and PhD scholar at Banaras Hindu University. He has participated in many group shows and national exhibitions.

Amit Shankar Saha is a faculty member in the Department of English at Seacom Skills University. He is also a researcher, a short story writer, and a poet.

Aarati Ranade is a scientist working in the field of Stem Cells and Liver Models in the US. She is also interested in translation, photography, doodling, hiking and cycling.

Aruna Joshi is an independent translator and researcher in Tribal Literature. She translates texts across and into Marathi, Gujarati and English and has been part of publication initiatives of Sahitya Akademi and Bhasha Research and Publication Centre.

Bhupen Khakhar was a painter, writer and editor. He wrote extensively in Gujarati and was the co-editor of Vrishchik journal.

Chitra Rawat is a final year student at University of Delhi, and currently works at a blogger with a youth generalist website, ED Times. If not working on her blogs, she can often be spotted at National Gallery of Modern Art.

Dipti Tambe has been pursuing her PhD at the Department of German, University of Mumbai, where she also teaches German Language and Literature. Her area of research is the contemporary Grips Theater, a German theater form for young.

G. N. Devy is a literary critic, writer and activist. He is the founder and former director of Bhasha Research and Publication Centre and the chief editor of People’s Linguistic Survey of India.

Krishnal Fulwala is pursuing MVA in Painting from M. S. University, Baroda. He was awarded Narseen Mohamedi scholarship in 2015-16.

Nisha Abdulla is a playwright and a performance storyteller. Currently, she is pursuing a year long program in theatre direction at the Indian Ensemble Directors Training Program, Bangalore.

Oindrilla Maity Surai is an independent curator and research scholar pursuing her PhD in Cultural Studies at Visva-Bharati, Santiniketan, West Bengal.

Prachee Batra is a visual artist from Mumbai. She has recently completed her masters in Painting from M.S.University, Baroda. She has exhibited her works in several group shows.

Pradnya Daya Pawar is a Dalit-feminist poet writing in Marathi. Besides poems, she has a two-act play, a collection of short stories and two books of column-writing to her credit. Recently, a collection of her stories is translated into English.

Rajashree Gandhi is a writer keen to explore multiple forms, moods, and languages. She also conducts writing and creativity workshops with children across cities.

Ramu Ramanathan is an editor, playwright and director. He has several plays to his credit including Cotton 56, Polyester 84, Jazz, Comrade Kumbhakarna, and Postcards From Bardoli.

Rasika Agashe is an actor, writer and director working in the field of theatre, cinema and television. She is the founder of Mumbai based theatre group, Being Association.

Razia Patel is a social activist and writer. Currently, she is a faculty member at the Indian Institute of Education, Pune.

Samreen Sajeda is currently pursuing an MA in English Literature from the University of Mumbai. Her poems have been published in Muse India, the Indian Cultural Forum and in the Anthology of Poetry India.

Sanika Dhakephalkar has MA in English from Jadavpur University, Kolkata. She is a poet, a painter, and a feminist through and through. She speaks, sings, and loves in several languages.

Satpal Ganganmale is a creative writer. He is active in various theatre activites in Kolhapur.

Sharmila Ranade is a Pune based poet. She writes in English, Hindi and Marathi. 

Sharmistha Saha is a theatre practitioner and researcher based in Mumbai. Currently, she is a faculty member at the Department of Humanities and Social Sciences, Indian Institute of Technology, Mumbai.

Shilpa Kamble is an income tax officer. She writes fiction, poetry and drama in Marathi.

Sitikantha Samantsinghar has completed his BVA in Painting from Government College of Arts And Crafts, Odisha and Masters in Fine Arts in Painting from Amity School Fine Arts, Noida, Uttar Pradesh.

Somedutta Mallik is an art researcher. She has the Master of Fine Arts degree in Art History and Visual Studies from Sarojini Naidu School of Arts & Communications, University of Hyderabad.

Soumyadeep Roy has studied Literature and Film. He is an independent visual artist and writer.

Suchana Seth is a physicist-turned-data-scientist, compulsive reader, slow traveler, and photographer of empty chairs. Her day job is to prevent data dystopias. At night, she writes speculative fiction and poetry. Her writing has appeared in Litro Magazine and The Coffeelicious.

Yugandhar Deshpande is a playwright and theatre curator. He is associated with Awishkar, a theatre company based in Mumbai. Currently, he is working on his piece, ‘Merry Go round!’

 

Memory II

Anuj Deshpande is a writer, translator and actively engaged in theatre activities in Pune.

Anupam Barve is a filmmaker and film educator based in Pune. His films are shown at film festivals and competitions worldwide.

Avijna Bhattacharya is an art writer and curator. She is currently involved with Kiran Nadar Museum of Art, New Delhi as the associate curator.

Chinmay Patankar is a copywriter an advertising firm. He has worked Maharashtra Times as a reporter for six years. He has written the story of Marathi film, Rangaa Patangaa.

Faiz Ahmed Faiz (1911-84) was a well-known Urdu poet known for his ghazals and nazm. He was a prominent political voice of Pakistani poetry.

Janette Ayachi is a Scottish-Algerian poet living in Edinburgh. She has been published in over sixty literary journals and anthologies, including New Writing Scotland: Gutter, The Istanbul Review, Magma, Oxford Poetry, Be the First to Like This: New Scottish Poetry (Vagabond Voices, 2014), Out There: Anthology of LGBT Writers (Freight, Glasgow, 2014) and The Best British Poetry 2015 (Salt).

K.B Singh was born in Lahore city, Pakistan in 1933. Subsequently he had to leave Lahore and migrated to Ludhiana. In 1960 he joined the Punjab Public Service Commission as a research officer where he served for the governments of Punjab and Haryana from 1961 to 1991. He is currently retired and lives in Pune.

Madhavan. P is the director and founder of Asia Photography Archive (APA), a not-for-profit pioneering initiative to preserve the photographic heritage of India and Asia.

Maya Dodd is K.B. Singh’s niece and currently teaches Literary and Cultural Studies in Pune. Most recently she was the Chair of the department of Humanities at FLAME University.     

Nevin Thomas is a full-time sports journalist with the Hindu group of publications. When not working, he is mostly taking photographs, and eagerly exploring the potential of new media for story-telling.

Nidhi Kalra is a researcher and her interests include Holocaust studies, trauma studies, children’s and adolescent literature, fantasy, as well as Modern and Victorian Literatures. She teaches at FLAME University, Pune.

Niranjan Pedanekar is a scientist by profession. He writes, translates poetry, and actively engaged in theatre. 

Prasad Sandbhor is game designer and he works in Bangalore. He writes for young readers.

Sharmila Phadke is an independent writer, journalist and art critic based in Mumbai. Her interests include research and documentation of modern and contemporary Indian art and artists. 

Shweta Ghosh is a National Award winning documentary filmmaker and researcher from India. She is currently pursuing her Ph.D. (by practice) in Film at the Department of Film, Theatre & Television, University of Reading, U.K. Her films have been screened in film festivals across India and abroad, and used for training, research and advocacy.

Sneha Raghavan is a researcher at Asia Art Archive and is based in New Delhi. She has a PhD in Cultural Studies from the English and Foreign Languages University, Hyderabad.

Snehal Goyal is a Pune based visual artist. Taking print making as her focal point, she goes beyond its traditional form to also include different media in her work.  She has exhibited her work nationally and internationally.

Sucheta Khallal is a Nanded (Maharashtra) based Education Development Officer. She has published three collections of poetry and is recipient of literary awards for her writing.

Swapnil Shelke is computer engineer. But, he teaches History and Political Science. He has published his poetry and articles in various journals in Marathi.

Teja Gavankar is a visual artist. She has received  ‘Inlaks  Shivdasani  Foundation’  supporting  International  (India-­‐ Quebec) Residency  at  ‘The  Darling  Foundry’,  Montreal,  Canada. She has shown her work in several group shows.

Uttam Ghosh is an illustrator, cartoonist, photographer and a designer. He works with www.rediff.com.

Vimal Chandra Pandey is a journalist and an important Hindi writer. He has published short collection Mastulon Ke Irdgeerd and Dar and a novel, Bhale Dinon Ki Baat Thi. Also, he is a film critic.

Memory I

Abhilash Jayachandra is a part-time blogger and a freelance writer based in India. He is currently working at an Indian daily as a Copy Editor cum Correspondent.

Amrita Gupta Singh is an art historian, researcher and writer with an interest in art education and management. Currently, she is COO of the online art initiative, V-IDEO | Ideas Worth Sharing, an archive of short videos on Indian artists and other members of the Indian art world.

Anuja Ghosalkar is an actor, writer and director based in Bangalore. Drama Queen, her Documentary theatre company focuses on oral histories, personal narratives and archival material to extend the idea of theatre to unsettle the status quo.

Avadhoot Dongre is a Marathi writer and translator.

Avijit Mukul Kishore is a filmmaker and cinematographer based in Mumbai, working in documentary and inter-disciplinary moving-image practices. He is involved in cinema pedagogy as a lecturer and a curator of film programmes for prominent national cultural institutions.

Christine Herzer is a visual artist, poet and teacher. Her writing has appeared in numerous literary journals, art reviews, and online publications.

Ganesh Visputay is a poet, painter and translator and editor. He writes in Marathi. He has published three collections of poems. His translations of writers such as Orhan Pamuk, Uday Prakash and Krishna Kumar are widely acclaimed. His Poems are translated in English and Hindi.

Himanshu Bhushan Smart is an award winning playwright, poet and writes scholarly articles in Marathi. He is visiting faculty at Lalit Kala Kendra, Savitribai Phule Pune University, Pune.

Malavika Jha is an educationist and social activist. She works as Elementary Education Manager (Maharashtra) with Tata Trusts.

Neha Kudchadkar is a visual and performing artist currently based in Mumbai. Neha is founder, director of beej, a performing arts initiative in Mumbai.

Nilofar Shamim Haja is an editor, researcher and writer from India. She works with museums and not-for-profit organizations to help them scale up their programs and communications.

Noopur Desai is an art critic and researcher writing in Marathi and English. She is a doctoral student of visual arts studies.

Palakshi Dass an independent writer and artist. She has written articles on art and short stories in English and Bangla.

Pranav Sakhdeo is a published short-story writer and a poet in Marathi. Writing fiction is his passion and he loves cooking. As an editor and translator, he has been associated with a number of publishing houses.

Prachi Deshpande is Associate Professor of History at the Centre for Studies in Social Sciences, Calcutta. She is the author is Creative Pasts: Historical Memory and Identity in Western India, 1700-1960.

Rohan Shivkumar is an architect and an urban designer practicing in Mumbai, and Deputy Director at the Kamla Raheja Vidyanidhi Institute for Architecture and Environmental Studies. He is co-editor of the publication on a research and art collaboration – Project Cinema City.

Sohnee Harshey is an independent researcher based in Jabalpur, Madhya Pradesh. She completed her M.Phil. in Women’s Studies from Tata Institute of Social Sciences, Mumbai.

Sudheer Bedekar writes on social and political issues. In 1970s, he was the editor of ‘Magowa’ and ‘Tatparya’, journals committed to the leftist ideology.

T. Padmanabhan is a renowned and award winning Malayalam short story writer who has written over 170 stories to date. His works have been translated into several Indian languages as well as into French, German and Russian among others.


Support:

Abhay Manachekar is a visualizer, designer and theatre artist. He works with Ogilvy and Mather as a Creative Director.

Vivek Padhye is a web designer and developer.

 


अंकात व्यक्त झालेल्या मतांशी संपादक सहमत असतीलच असे नाही.

Facts and opinions published in Hakara express solely the opinions of the respective contributors.